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Théodore Géricault, The Raft of the Medusa, oil on canvas, 1819 (Musée du Louvre, photo: Dr. Steven Zucker)

Smarthistory: bringing art history to the world and the world to art history—by Dr. Nara Hohensee

This is the introduction to a four-part series of posts authored by Smarthistory’s Andrew W. Mellon Postdoctoral Fellow, Dr. Naraelle Hohensee. The rest of the series will appear on this site over the following week. “What’s visible becomes thinkable, and what’s thinkable becomes doable.” —Timothy Snyder In 2003, when Colin Powell went to the United […]

Dr. Lauren Kilroy-Ewbank and Dr. Beth Harris at the Templo Mayor, Mexico City

How do we create a field of Public Art History?—by Dr. Lauren Kilroy-Ewbank, Pepperdine University

Many thanks to Dr. Lauren Kilroy-Ewbank for this post. Lauren is Associate Professor of Art History at Pepperdine University, as well as Smarthistory’s Contributing Editor for Latin American Colonial and Native American/First Nation Art, a contributor to Smarthistory’s Precolumbian art resources, and a member of the Smarthistory board. You can read the original post on her […]

Dr. Lauren Kilroy-Ewbank in front of José Clemente Orozco's The Trench (center arch), San Ildefonso College courtyard, begun 1923, Mexico City

What is Public Art History?—by Dr. Lauren Kilroy-Ewbank, Pepperdine University

Many thanks to Dr. Lauren Kilroy-Ewbank for this post. Lauren is Associate Professor of Art History at Pepperdine University, as well as Smarthistory’s Contributing Editor for Latin American Colonial and Native American/First Nation Art, a contributor to Smarthistory’s Precolumbian art resources, and a member of the Smarthistory board. You can read the original post on her […]